Mediums
Oils
Picture Varnish Spray – Matte, 11 oz
Grumbacher Matte Picture Varnish is a final varnish that produces a uniform matte finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish Spray – Matte, 11 oz
Grumbacher Matte Picture Varnish is a final varnish that produces a uniform matte finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish Spray – Gloss, 11 oz
Grumbacher Gloss Picture Varnish is a final varnish that produces a uniform glossy finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish Spray – Gloss, 11 oz
Grumbacher Gloss Picture Varnish is a final varnish that produces a uniform glossy finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Alkyd Painting Medium, 2.5 oz
Alkyd painting medium speeds drying time and lubricates oil paint. Excellent for use in glazes, it is non-yellowing and archival. When added directly to paint in small amounts, painted areas can be worked over in 12 hours. Alkyd painting medium is low odor and may be diluted with any conventional oil painting solvents. Made in the USA.
Alkyd Painting Medium, 2.5 oz
Alkyd painting medium speeds drying time and lubricates oil paint. Excellent for use in glazes, it is non-yellowing and archival. When added directly to paint in small amounts, painted areas can be worked over in 12 hours. Alkyd painting medium is low odor and may be diluted with any conventional oil painting solvents. Made in the USA.
Oil Painting Medium I – Matte, 2.5 oz
This oil painting medium is ideal for oil painting work where a matte finish is desired. Ideal for use in underpaintings, on absorbant gesso and for mural work. Add directly to paint in small amounts. Only dilute with turpentine or Grumtine - petroleum based solvents and odorless paint thinners are not compatible with this product. Use in a well ventillated area. Made in the USA.
Oil Painting Medium I – Matte, 2.5 oz
This oil painting medium is ideal for oil painting work where a matte finish is desired. Ideal for use in underpaintings, on absorbant gesso and for mural work. Add directly to paint in small amounts. Only dilute with turpentine or Grumtine – petroleum based solvents and odorless paint thinners are not compatible with this product. Use in a well ventillated area. Made in the USA.
Oil Painting Medium II – Slow Dry, 2.5 oz
This oil painting medium is ideal for use when one wishes to slow drying time and is especially useful for wet-in-wet techniques. It imparts a high gloss to when dry. Add directly to oil paint in small amounts. Only dilute with turpentine or Grumtine - petroleum based solvents and odorless paint thinners are not compatible with this product. Use in a well ventillated area. Made in the USA.
Oil Painting Medium II – Slow Dry, 2.5 oz
This oil painting medium is ideal for use when one wishes to slow drying time and is especially useful for wet-in-wet techniques. It imparts a high gloss to when dry. Add directly to oil paint in small amounts. Only dilute with turpentine or Grumtine – petroleum based solvents and odorless paint thinners are not compatible with this product. Use in a well ventillated area. Made in the USA.
Oil Painting Medium III – Rapid Dry, 2.5 oz
This oil painting medium is ideal for speeding drying time, especially for glazing. It imparts a high gloss when dry. Add directly to oil paint in small amounts. Only dilute with turpentine or Grumtine - petroleum based solvents and odorless paint thinners are not compatible with this product. Use in a well ventillated area. Made in the USA.
Oil Painting Medium III – Rapid Dry, 2.5 oz
This oil painting medium is ideal for speeding drying time, especially for glazing. It imparts a high gloss when dry. Add directly to oil paint in small amounts. Only dilute with turpentine or Grumtine – petroleum based solvents and odorless paint thinners are not compatible with this product. Use in a well ventillated area. Made in the USA.
Copal Painting Medium, 2.5 oz
Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Best used for arisan painting versus fine art application, Copal painting medium may cause yellowing or darkening of colors over long periods of time. Only dilute with turpentine or Grumtine as petroleum based solvents and odorless thinners are not compatible with this product. Made in the USA.
Copal Painting Medium, 2.5 oz
Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Best used for arisan painting versus fine art application, Copal painting medium may cause yellowing or darkening of colors over long periods of time. Only dilute with turpentine or Grumtine as petroleum based solvents and odorless thinners are not compatible with this product. Made in the USA.
Copal Painting Medium, 8 oz
Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Best used for arisan painting versus fine art application, Copal painting medium may cause yellowing or darkening of colors over long periods of time. Only dilute with turpentine or Grumtine as petroleum based solvents and odorless thinners are not compatible with this product. Made in the USA.
Copal Painting Medium, 8 oz
Copal painting medium is an oil paint additive that speeds drying time. This medium increases paint flow and imparts a high gloss and hardness when dried. Best used for arisan painting versus fine art application, Copal painting medium may cause yellowing or darkening of colors over long periods of time. Only dilute with turpentine or Grumtine as petroleum based solvents and odorless thinners are not compatible with this product. Made in the USA.
GEL Transperentizer for Oil Colors, 5 oz
A full-bodied gel oil medium with very slow drying, GEL Transparentizer preserves color consistency while making color transparent. Can be mixed with ZEC to speed drying. Available in 150ml tubes. Made in the USA.
GEL Transperentizer for Oil Colors, 5 oz
A full-bodied gel oil medium with very slow drying, GEL Transparentizer preserves color consistency while making color transparent. Can be mixed with ZEC to speed drying. Available in 150ml tubes. Made in the USA.
Max Linseed Oil, 2.5 oz
The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. Improves flow and water-mixability of MAX® Water Mixable Oil Paints and mixtures of MAX® colors and conventional oils as well as increasing gloss. Compatible with all known conventional oil painting materials, but will not make them water miscible. MAX® Linseed oil is not recommended for use with non-Grumbacher® brands of water miscible/mixable oil paints. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA.
Max Linseed Oil, 2.5 oz
The same finest quality alkali refined linseed oil offered in our conventional linseed oil, but scientifically modified to be completely water-miscible. Improves flow and water-mixability of MAX® Water Mixable Oil Paints and mixtures of MAX® colors and conventional oils as well as increasing gloss. Compatible with all known conventional oil painting materials, but will not make them water miscible. MAX® Linseed oil is not recommended for use with non-Grumbacher® brands of water miscible/mixable oil paints. No solvents needed may be thinned with water. Clean up is as easy as washing brushes and tools with soap and water. Made in the USA.
Linseed Oil, 2.5 oz
Linseed oil has a number of uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. Made from the finest quality purified alkali refined linseed oil. Linseed oil can be pre-diluted with Turpentine, Grumtine, or Pre-tested Odorless Paint Thinner. Made in the USA.
Linseed Oil, 2.5 oz
Linseed oil has a number of uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. Made from the finest quality purified alkali refined linseed oil. Linseed oil can be pre-diluted with Turpentine, Grumtine, or Pre-tested Odorless Paint Thinner. Made in the USA.
Linseed Oil, 8 oz
Linseed oil has a number of uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. Made from the finest quality purified alkali refined linseed oil. Linseed oil can be pre-diluted with Turpentine, Grumtine, or Pre-tested Odorless Paint Thinner. Made in the USA.
Linseed Oil, 8 oz
Linseed oil has a number of uses in oil painting. It can be used as a paint binder ingredient when mixing colors from powdered pigments, in oil painting medium recipes, and added directly to oil paints to make colors glossy and fluid. Made from the finest quality purified alkali refined linseed oil. Linseed oil can be pre-diluted with Turpentine, Grumtine, or Pre-tested Odorless Paint Thinner. Made in the USA.
Sun-thickened Linseed Oil, 2.5 oz
Sun-thickened linseed oil works similarly to traditional linseed oil in terms of adding gloss and fluidity to oil paints. Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. Made in the USA.
Sun-thickened Linseed Oil, 2.5 oz
Sun-thickened linseed oil works similarly to traditional linseed oil in terms of adding gloss and fluidity to oil paints. Sun-thickened linseed oil is heavier in body and can be appplied directly to paint or used in glaze mediums, clear varnishes and emulsions. It is an extremely flexible medium derived from purified oil and can be pre-diluted with turpentine, Grumtine or Pre-tested odorless thinner. Made in the USA.
Stand Oil, 2.5 oz
Stand oil is a high viscosity oil paint additive that eliminates brushmarks and creates an enamel-like finish. It is a heavy, polymerized linseed oil that slows drying while improving the fluidity of oil paint and creates a flexible paint film when dry. Stand oil can be added directly to oil paints, to painting mediums and glazes and in varnishes. Made in the USA.
Stand Oil, 2.5 oz
Stand oil is a high viscosity oil paint additive that eliminates brushmarks and creates an enamel-like finish. It is a heavy, polymerized linseed oil that slows drying while improving the fluidity of oil paint and creates a flexible paint film when dry. Stand oil can be added directly to oil paints, to painting mediums and glazes and in varnishes. Made in the USA.
Poppyseed Oil, 2.5 oz
Poppyseed oil is an oil paint additive similar in application to linseed oil. Poppyseed oil is especially good for use with pale colors as it is excellent at color retension and is often used for alla prima techniques. Unlike linseed oil, it is not for use with multiple layer techniques. It may be diluted with Turpentine, Grumtine and Pre-tested Odorless Thinner. Made in the USA.
Poppyseed Oil, 2.5 oz
Poppyseed oil is an oil paint additive similar in application to linseed oil. Poppyseed oil is especially good for use with pale colors as it is excellent at color retension and is often used for alla prima techniques. Unlike linseed oil, it is not for use with multiple layer techniques. It may be diluted with Turpentine, Grumtine and Pre-tested Odorless Thinner. Made in the USA.
Max QuickDry Medium, 2.5 oz
An alkyd based semi-gel painting medium for MAX® Water Mixable Oil Colors and mixtures of MAX® with conventional oils. MAX® QuickDry becomes more fluid the more it is stirred or shaken. It is mixable with water and enhances water miscibility and paint flow in MAX® colors and mixtures of MAX® with conventional oils. Produces brilliant, lustrous transparent colors and glazes. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. For best results, it is recommended that one add 1:1 of water equal to MAX® Quick Dry Medium to mix in with paint. Not recommended for use with non-Grumbacher® Water miscible/mixable painting materials. Made in the USA.
Max QuickDry Medium, 2.5 oz
An alkyd based semi-gel painting medium for MAX® Water Mixable Oil Colors and mixtures of MAX® with conventional oils. MAX® QuickDry becomes more fluid the more it is stirred or shaken. It is mixable with water and enhances water miscibility and paint flow in MAX® colors and mixtures of MAX® with conventional oils. Produces brilliant, lustrous transparent colors and glazes. Holds precise lines and strokes during wet-in-wet techniques without feathering or bleeding. Non-yellowing. Completely compatible with conventional oil painting materials; however, it will not convert conventional oil colors into water miscible oil paints. For best results, it is recommended that one add 1:1 of water equal to MAX® Quick Dry Medium to mix in with paint. Not recommended for use with non-Grumbacher® Water miscible/mixable painting materials. Made in the USA.
ZEC® Quick Drying Oil Medium, 5 oz
A clear and colorless colloidal oil painting medium that accelerates the drying time of paintings. Grumbacher ZEC medium maintains the consistency and hue of colors and holds any desired texture. In normal applications, paintings dry to the touch in 4 to 6 hours. ZEC should be diluted with Pure Gum Spirits of Turpentine or Grumtine only. It is not compatible with petroleum solvents, paint thinners, or odorless paint thinners. Mixtures of ZEC in excess of 1:1 will result in a brittle, dry paint film. Available in 150ml tubes. Made in the USA.
ZEC® Quick Drying Oil Medium, 5 oz
A clear and colorless colloidal oil painting medium that accelerates the drying time of paintings. Grumbacher ZEC medium maintains the consistency and hue of colors and holds any desired texture. In normal applications, paintings dry to the touch in 4 to 6 hours. ZEC should be diluted with Pure Gum Spirits of Turpentine or Grumtine only. It is not compatible with petroleum solvents, paint thinners, or odorless paint thinners. Mixtures of ZEC in excess of 1:1 will result in a brittle, dry paint film. Available in 150ml tubes. Made in the USA.
Cobalt Drier, 2.5 oz
As its name impies, it speeds the drying time of oil colors. Add to add to an oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is an extremely strong additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Over use may cause cracking of paint film when drying. Made in the USA.
Cobalt Drier, 2.5 oz
As its name impies, it speeds the drying time of oil colors. Add to add to an oil painting medium in drops as opposed to adding directly to oil paint. Cobalt Drier is an extremely strong additive for oil paints and should be used sparingly. Test medium before applying it to an oil painting. Over use may cause cracking of paint film when drying. Made in the USA.
Pale Drying Oil, 2.5 oz
This oil paint additive speeds drying time, increases flow and gloss, and reduces consistency of oil colors straight from the tube. Excess use can cause poor flexibility and yellowing and therefor it is recommended for artisan painting versus fine art application. Use sparingly with any oil painting solvents or mediums. Cleans up with mild solvents. Made in the USA.
Pale Drying Oil, 2.5 oz
This oil paint additive speeds drying time, increases flow and gloss, and reduces consistency of oil colors straight from the tube. Excess use can cause poor flexibility and yellowing and therefor it is recommended for artisan painting versus fine art application. Use sparingly with any oil painting solvents or mediums. Cleans up with mild solvents. Made in the USA.
Turpentine, 2.5 oz
A traditional solvent for oil painting, turpentine improves paint flow by thinning oils. The rapid evaporation of turpentine promotes polymerization of oil paint and mediums, thus speeding dry time. Can be applied directly to oil paint or used in painting and glazing mediums. Turpentine may also be used to clean painting equipment. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Turpentine, 2.5 oz
A traditional solvent for oil painting, turpentine improves paint flow by thinning oils. The rapid evaporation of turpentine promotes polymerization of oil paint and mediums, thus speeding dry time. Can be applied directly to oil paint or used in painting and glazing mediums. Turpentine may also be used to clean painting equipment. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Turpentine, 8 oz
A traditional solvent for oil painting, turpentine improves paint flow by thinning oils. The rapid evaporation of turpentine promotes polymerization of oil paint and mediums, thus speeding dry time. Can be applied directly to oil paint or used in painting and glazing mediums. Turpentine may also be used to clean painting equipment. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Turpentine, 8 oz
A traditional solvent for oil painting, turpentine improves paint flow by thinning oils. The rapid evaporation of turpentine promotes polymerization of oil paint and mediums, thus speeding dry time. Can be applied directly to oil paint or used in painting and glazing mediums. Turpentine may also be used to clean painting equipment. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Turpentine, 32 oz
A traditional solvent for oil painting, turpentine improves paint flow by thinning oils. The rapid evaporation of turpentine promotes polymerization of oil paint and mediums, thus speeding dry time. Can be applied directly to oil paint or used in painting and glazing mediums. Turpentine may also be used to clean painting equipment. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Turpentine, 32 oz
A traditional solvent for oil painting, turpentine improves paint flow by thinning oils. The rapid evaporation of turpentine promotes polymerization of oil paint and mediums, thus speeding dry time. Can be applied directly to oil paint or used in painting and glazing mediums. Turpentine may also be used to clean painting equipment. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Grumtine, 2.5 oz
Grumtine is an oil painting solvent that is a slightly stronger alternative to turpentine. It is derived from citrus peel and has a cirtus aroma. Grumtine can be used for cleaning oil painting equipment and for use in all applications calling for turpentine. Made in the USA.
Grumtine, 2.5 oz
Grumtine is an oil painting solvent that is a slightly stronger alternative to turpentine. It is derived from citrus peel and has a cirtus aroma. Grumtine can be used for cleaning oil painting equipment and for use in all applications calling for turpentine. Made in the USA.
Grumtine, 32 oz
Grumtine is an oil painting solvent that is a slightly stronger alternative to turpentine. It is derived from citrus peel and has a cirtus aroma. Grumtine can be used for cleaning oil painting equipment and for use in all applications calling for turpentine. Made in the USA.
Grumtine, 32 oz
Grumtine is an oil painting solvent that is a slightly stronger alternative to turpentine. It is derived from citrus peel and has a cirtus aroma. Grumtine can be used for cleaning oil painting equipment and for use in all applications calling for turpentine. Made in the USA.
Pre-tested Odorless Thinner, 8 oz
A crystal clear, mild organic solvent for thinning oil colors and some varnishes, cleans brushes and painting tools without the heavy smell of turpentine or other paint thinners. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Pre-tested Odorless Thinner, 8 oz
A crystal clear, mild organic solvent for thinning oil colors and some varnishes, cleans brushes and painting tools without the heavy smell of turpentine or other paint thinners. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Pre-tested Odorless Thinner, 32 oz
A crystal clear, mild organic solvent for thinning oil colors and some varnishes, cleans brushes and painting tools without the heavy smell of turpentine or other paint thinners. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Pre-tested Odorless Thinner, 32 oz
A crystal clear, mild organic solvent for thinning oil colors and some varnishes, cleans brushes and painting tools without the heavy smell of turpentine or other paint thinners. Keep stored in a tightly sealed container and use in a well ventillated area. Made in the USA.
Retouch Varnish, 2.5 oz
A working varnish for oil painting, Retouch Varnish evens out gloss of unfinished work and revives dry/matte areas. This aids in accurate color comparison. Use in very thin layers. Varnish must be dry before over-painting and is not intended as a final varnish. Made in the USA.
Retouch Varnish, 2.5 oz
A working varnish for oil painting, Retouch Varnish evens out gloss of unfinished work and revives dry/matte areas. This aids in accurate color comparison. Use in very thin layers. Varnish must be dry before over-painting and is not intended as a final varnish. Made in the USA.
Damar Varnish, 2.5 oz
A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Damar varnish may also be used in oil medium preparation. Wait at least 6 months after painting has dried before applying this as a final varnish. Test before applying to work. Apply varnish in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish, 2.5 oz
A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Damar varnish may also be used in oil medium preparation. Wait at least 6 months after painting has dried before applying this as a final varnish. Test before applying to work. Apply varnish in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish, 32 oz
A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Damar varnish may also be used in oil medium preparation. Wait at least 6 months after painting has dried before applying this as a final varnish. Test before applying to work. Apply varnish in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish, 32 oz
A final varnish for oil painting that imparts a high gloss finish. Processed with pure gum damar, Damar Varnish protects oil paintings from dirt and scuffing. Damar varnish may also be used in oil medium preparation. Wait at least 6 months after painting has dried before applying this as a final varnish. Test before applying to work. Apply varnish in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Picture Varnish, 2.5 oz
Grumbacher Picture Varnish is a final varnish that produces a uniform satin finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This brush-on varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test the varnish and your application method before applying to finished artwork. Apply in even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish, 2.5 oz
Grumbacher Picture Varnish is a final varnish that produces a uniform satin finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This brush-on varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test the varnish and your application method before applying to finished artwork. Apply in even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Matte Varnish, 2.5 oz
A final oil painting varnish for pale works and smooth paintings. Matte varnish is processed with damar varnish and bees wax and protects from atmospheric impurities. Wait at least 6 months after painting has dried before applying this as a final varnish. Test before applying to work. Before use, heat in warm water until clear. Apply varnish in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Matte Varnish, 2.5 oz
A final oil painting varnish for pale works and smooth paintings. Matte varnish is processed with damar varnish and bees wax and protects from atmospheric impurities. Wait at least 6 months after painting has dried before applying this as a final varnish. Test before applying to work. Before use, heat in warm water until clear. Apply varnish in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Japan Drier, 2.5 oz
Japan Drier is used primarily for oil guilding. It is an alkali based drier that may cause yellowing or darkening of colors over time so it is recommended for sign painting, woodworking and crafting versus fine art applications. Apply Japan Drier to an appropriate surface and allow to dry to a high tack before applying gold or silver leaf; smooth then burnish. Made in the USA.
Japan Drier, 2.5 oz
Japan Drier is used primarily for oil guilding. It is an alkali based drier that may cause yellowing or darkening of colors over time so it is recommended for sign painting, woodworking and crafting versus fine art applications. Apply Japan Drier to an appropriate surface and allow to dry to a high tack before applying gold or silver leaf; smooth then burnish. Made in the USA.
MG® Underpainting White, 5 oz
This permanent, fast-drying Titanium White oil paint is designed for use in underpainting or in wet-in-wet (alla prima) painting. Specifically formulated to create a lean, dry paint film, MG Underpainting White has enough tooth to readily accept glazes. Other uses include creating surface textures and impasto techniques. In normal applications, MG Underpainting White dries to the touch in 4 to 6 hours and may be painted over immediately. To dilute, mix it with Pure Gum Spirits of Turpentine or Grumtine only. Petroleum solvents and paint thinners and odorless paint thinners are not compatible with this product. Mixtures of MG Underpainting White in excess of 1:1 will result in a brittle, dry paint film. Available in 150ml tubes. Made in the USA.
MG® Underpainting White, 5 oz
This permanent, fast-drying Titanium White oil paint is designed for use in underpainting or in wet-in-wet (alla prima) painting. Specifically formulated to create a lean, dry paint film, MG Underpainting White has enough tooth to readily accept glazes. Other uses include creating surface textures and impasto techniques. In normal applications, MG Underpainting White dries to the touch in 4 to 6 hours and may be painted over immediately. To dilute, mix it with Pure Gum Spirits of Turpentine or Grumtine only. Petroleum solvents and paint thinners and odorless paint thinners are not compatible with this product. Mixtures of MG Underpainting White in excess of 1:1 will result in a brittle, dry paint film. Available in 150ml tubes. Made in the USA.
Oil Painting Restorer, 2.5 oz
A surface cleaner for completed and dried oil paintings, Oil Painting Restorer revives, refreshes and conditions a painting by removing surface soil. Apply to a lint-free cloth to gently clean the surface of a work while constantly turning the cloth so as not to rub soil into the painting. Use with care around highly textured surfaces. Oil painting restorer may be removed with a clean cloth dampened with turpentine. Made in the USA.
Oil Painting Restorer, 2.5 oz
A surface cleaner for completed and dried oil paintings, Oil Painting Restorer revives, refreshes and conditions a painting by removing surface soil. Apply to a lint-free cloth to gently clean the surface of a work while constantly turning the cloth so as not to rub soil into the painting. Use with care around highly textured surfaces. Oil painting restorer may be removed with a clean cloth dampened with turpentine. Made in the USA.
Retouch Varnish Spray, 11 oz
A working varnish for oil painting, Retouch Varnish evens out gloss of unfinished work and revives dry/matte areas. This aids in accurate color comparison. Use in very thin layers. Varnish must be dry before over-painting and is not intended as a final varnish. Made in the USA.
Retouch Varnish Spray, 11 oz
A working varnish for oil painting, Retouch Varnish evens out gloss of unfinished work and revives dry/matte areas. This aids in accurate color comparison. Use in very thin layers. Varnish must be dry before over-painting and is not intended as a final varnish. Made in the USA.
Damar Varnish Spray – Gloss, 11.75 oz
This final varnish for oil paintings is processed with pure gum damar and protects from dirt and scuffing. Wait at least 6 months after painting has dried before applying this high gloss varnish. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Use in a well ventillated area. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish Spray – Gloss, 11.75 oz
This final varnish for oil paintings is processed with pure gum damar and protects from dirt and scuffing. Wait at least 6 months after painting has dried before applying this high gloss varnish. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Use in a well ventillated area. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish Spray – Gloss, 4.75 oz
This final varnish for oil paintings is processed with pure gum damar and protects from dirt and scuffing. Wait at least 6 months after painting has dried before applying this high gloss varnish. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Use in a well ventillated area. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish Spray – Gloss, 4.75 oz
This final varnish for oil paintings is processed with pure gum damar and protects from dirt and scuffing. Wait at least 6 months after painting has dried before applying this high gloss varnish. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Use in a well ventillated area. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish Spray – Matte, 4.75 oz
This final varnish for oil paintings is processed with pure gum damar and protects from dirt and scuffing. Wait at least 6 months after painting has dried before applying this high gloss varnish. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Use in a well ventillated area. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish Spray – Matte, 4.75 oz
This final varnish for oil paintings is processed with pure gum damar and protects from dirt and scuffing. Wait at least 6 months after painting has dried before applying this high gloss varnish. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Use in a well ventillated area. Varnish can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish Spray – Matte, 11.25 oz
A final varnish with a matte finish for oil paintings protects against dirt and scuffing and is processed with pure gum damar. This spray varnish should be applied to finished works that have dried for at least 6 months. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Made in the USA.
Damar Varnish Spray – Matte, 11.25 oz
A final varnish with a matte finish for oil paintings protects against dirt and scuffing and is processed with pure gum damar. This spray varnish should be applied to finished works that have dried for at least 6 months. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Made in the USA.
Acrylics
Gesso, 16 oz
Grumbacher gesso prepares a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete, for painting with oil or acrylic colors. Not appropriate for egg tempera or gilding. Stir well and apply with brush to a clean surface. May be thinned with water. Sand between coats if desired to avoid wicking. May be tinted with acrylic colors. Do not mix with or apply over turpentine or oils. Available in 16oz. and 32 oz. jars. Made in the USA.
Gesso, 16 oz
Grumbacher gesso prepares a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete, for painting with oil or acrylic colors. Not appropriate for egg tempera or gilding. Stir well and apply with brush to a clean surface. May be thinned with water. Sand between coats if desired to avoid wicking. May be tinted with acrylic colors. Do not mix with or apply over turpentine or oils. Available in 16oz. and 32 oz. jars. Made in the USA.
Gesso, 32 oz
Grumbacher gesso prepares a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete, for painting with oil or acrylic colors. Not appropriate for egg tempera or gilding. Stir well and apply with brush to a clean surface. May be thinned with water. Sand between coats if desired to avoid wicking. May be tinted with acrylic colors. Do not mix with or apply over turpentine or oils. Available in 16oz. and 32 oz. jars. Made in the USA.
Gesso, 32 oz
Grumbacher gesso prepares a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete, for painting with oil or acrylic colors. Not appropriate for egg tempera or gilding. Stir well and apply with brush to a clean surface. May be thinned with water. Sand between coats if desired to avoid wicking. May be tinted with acrylic colors. Do not mix with or apply over turpentine or oils. Available in 16oz. and 32 oz. jars. Made in the USA.
Modeling Paste, 16 oz
A flexible, durable, soft body paste with an extra fine-texture for creating textured surfaces that can be painted over with oil or acrylic colors. It can be applied to a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete. Grumbacher Modeling Paste can be modeled, shaped, or textured before hardening and cut, carved or sanded when thoroughly dry. It can also be mixed with acrylic colors for impasto effects. It thins with water and dries rapidly. Available in 16oz. and 32 oz. jars. Made in the USA.
Modeling Paste, 16 oz
A flexible, durable, soft body paste with an extra fine-texture for creating textured surfaces that can be painted over with oil or acrylic colors. It can be applied to a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete. Grumbacher Modeling Paste can be modeled, shaped, or textured before hardening and cut, carved or sanded when thoroughly dry. It can also be mixed with acrylic colors for impasto effects. It thins with water and dries rapidly. Available in 16oz. and 32 oz. jars. Made in the USA.
Modeling Paste, 32 oz
A flexible, durable, soft body paste with an extra fine-texture for creating textured surfaces that can be painted over with oil or acrylic colors. It can be applied to a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete. Grumbacher Modeling Paste can be modeled, shaped, or textured before hardening and cut, carved or sanded when thoroughly dry. It can also be mixed with acrylic colors for impasto effects. It thins with water and dries rapidly. Available in 16oz. and 32 oz. jars. Made in the USA.
Modeling Paste, 32 oz
A flexible, durable, soft body paste with an extra fine-texture for creating textured surfaces that can be painted over with oil or acrylic colors. It can be applied to a number of porous substrates, such as canvas, wood, cardboard, plaster, and concrete. Grumbacher Modeling Paste can be modeled, shaped, or textured before hardening and cut, carved or sanded when thoroughly dry. It can also be mixed with acrylic colors for impasto effects. It thins with water and dries rapidly. Available in 16oz. and 32 oz. jars. Made in the USA.
Artists’ Acrylic Gloss Medium and Varnish, 8 oz
Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Available in 8oz. jars. Made in the USA.
Artists’ Acrylic Gloss Medium and Varnish, 8 oz
Excellent for mixed media applications, the acrylic gloss medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform gloss finish, or as a final gloss varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Available in 8oz. jars. Made in the USA.
Artists’ Acrylic Matte Medium and Varnish, 8 oz
Excellent for mixed media applications, the acrylic matte medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform satiny-matte finish, or as a final matte varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Available in 8oz. jars. Made in the USA.
Artists’ Acrylic Matte Medium and Varnish, 8 oz
Excellent for mixed media applications, the acrylic matte medium and varnish has myriad uses. Traditionally this medium is mixed with acrylic paint for smoother brush strokes and a uniform satiny-matte finish, or as a final matte varnish. This medium thins with water and can also be used for glazing, as an adhesive, in thick applications in molds or armatures for a flexible, plastic-like effect, and in papier mache projects. This is the ideal primer for oil painting on vellum. Dries clear, is flexible and water resistant when dry. Available in 8oz. jars. Made in the USA.
Acrylic Matte Gel, 8 oz
A colorless medium for acrylic colors. Transparantizes acrylic colors without thinning. A medium-bodied gel that creates a semi-transparent, flexible paint film when dry with a uniformly matte finish. Retains textures and brushstrokes and cleans up easily with water. Made in the USA.
Acrylic Matte Gel, 8 oz
A colorless medium for acrylic colors. Transparantizes acrylic colors without thinning. A medium-bodied gel that creates a semi-transparent, flexible paint film when dry with a uniformly matte finish. Retains textures and brushstrokes and cleans up easily with water. Made in the USA.
Acrylic Heavy Matte Gel, 8 oz
A colorless medium for acrylic colors that thickens and transparentizes acrylic colors. A heavy-bodied gel that creates a semi-transparent, flexible paint film when dry with a uniformly matte finish. Retains textures and brushstrokes and cleans up easily with water. Made in the USA.
Acrylic Heavy Matte Gel, 8 oz
A colorless medium for acrylic colors that thickens and transparentizes acrylic colors. A heavy-bodied gel that creates a semi-transparent, flexible paint film when dry with a uniformly matte finish. Retains textures and brushstrokes and cleans up easily with water. Made in the USA.
GEL 531 Acrylic Transparentizer, 5 oz
A colorless medium for acrylic colors. Transparantizes opaque colors and increases the transparency and clarity of already transparent colors in glaze and wash applications. Full-bodied and absolutely clear when dry. When mixed with acrylic colors, it maintains their hue, consistency and brushing characteristics. Available in 150ml tube. Made in the USA.
GEL 531 Acrylic Transparentizer, 5 oz
A colorless medium for acrylic colors. Transparantizes opaque colors and increases the transparency and clarity of already transparent colors in glaze and wash applications. Full-bodied and absolutely clear when dry. When mixed with acrylic colors, it maintains their hue, consistency and brushing characteristics. Available in 150ml tube. Made in the USA.
Acrylic Retarder, 5 oz
A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Available in 150ml tube. Made in the USA.
Acrylic Retarder, 5 oz
A colorless acrylic medium that slows drying time. Can be mixed into acrylic paint or brushed directly onto the support and painted over. Ideal for detailed blending work. Available in 150ml tube. Made in the USA.
Acrylic Painting Varnish Spray – Gloss, 11 oz
A final gloss, resin-based varnish and protective coating for acrylic paintings. Imparts an even gloss surface. Protects paintings from dirt, moisture and scuffing. Provides brilliance with gloss. Non-yellowing. Flexible. Transparent, quick-drying and permanent. Removable with paint thinner or other mild solvents. Contains no fluorocarbons. Use only after acrylic painting has dried 3 to 5 days. Use in a well ventillated area. Made in the USA.
Acrylic Painting Varnish Spray – Gloss, 11 oz
A final gloss, resin-based varnish and protective coating for acrylic paintings. Imparts an even gloss surface. Protects paintings from dirt, moisture and scuffing. Provides brilliance with gloss. Non-yellowing. Flexible. Transparent, quick-drying and permanent. Removable with paint thinner or other mild solvents. Contains no fluorocarbons. Use only after acrylic painting has dried 3 to 5 days. Use in a well ventillated area. Made in the USA.
Picture Varnish Spray – Matte, 11 oz
Grumbacher Matte Picture Varnish is a final varnish that produces a uniform matte finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish Spray – Matte, 11 oz
Grumbacher Matte Picture Varnish is a final varnish that produces a uniform matte finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish Spray – Gloss, 11 oz
Grumbacher Gloss Picture Varnish is a final varnish that produces a uniform glossy finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish Spray – Gloss, 11 oz
Grumbacher Gloss Picture Varnish is a final varnish that produces a uniform glossy finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This spray varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test spray nozzle before applying to work. Spray in slow, even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish, 2.5 oz
Grumbacher Picture Varnish is a final varnish that produces a uniform satin finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This brush-on varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test the varnish and your application method before applying to finished artwork. Apply in even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Picture Varnish, 2.5 oz
Grumbacher Picture Varnish is a final varnish that produces a uniform satin finish for oil and acrylic paintings. It is processed with acrylic resin and protects from atmospheric impurities. This brush-on varnish should be applied to finished works that have dried for at least 6 months for oil paintings, and 5 days for acrylics. Test the varnish and your application method before applying to finished artwork. Apply in even strokes left to right. Let dry before turning work 90 degrees before re-applying. Can be removed with paint thinner or other mild solvent. Not for use in oil painting medium preparation. Made in the USA.
Watercolors
Miskit Liquid Frisket, 1.2 oz
A colored frisket, for use on hard-sized watercolor papers, photos, and other media, to mask areas that are meant to be painted once the dried frisket is removed. It washes out of pens and brushes with soap and water. This product contains latex. Made in the USA.
Miskit Liquid Frisket, 1.2 oz
A colored frisket, for use on hard-sized watercolor papers, photos, and other media, to mask areas that are meant to be painted once the dried frisket is removed. It washes out of pens and brushes with soap and water. This product contains latex. Made in the USA.
Mixed Media
Workable Fixative Spray – Matte, 4.75 oz
Used to fix dry media such as pastels, charcoal, and graphite when it is desired to use additional media. Historically, workable fixatives were developed for use by designers using gouache to set the paint before working over it, but now it's used primarily with dry media. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before painting, drawing, or touching the artwork. Workable fixative dries to a matte finish.
Workable Fixative Spray – Matte, 4.75 oz
Used to fix dry media such as pastels, charcoal, and graphite when it is desired to use additional media. Historically, workable fixatives were developed for use by designers using gouache to set the paint before working over it, but now it’s used primarily with dry media. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before painting, drawing, or touching the artwork. Workable fixative dries to a matte finish.
Final Fixative Spray – Gloss, 11.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Final Fixative Spray – Gloss, 11.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Workable Fixative Spray – Matte, 11.75 oz
Used to fix dry media such as pastels, charcoal, and graphite when it is desired to use additional media. Historically, workable fixatives were developed for use by designers using gouache to set the paint before working over it, but now it's used primarily with dry media. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before painting, drawing, or touching the artwork. Workable fixative dries to a matte finish.
Workable Fixative Spray – Matte, 11.75 oz
Used to fix dry media such as pastels, charcoal, and graphite when it is desired to use additional media. Historically, workable fixatives were developed for use by designers using gouache to set the paint before working over it, but now it’s used primarily with dry media. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before painting, drawing, or touching the artwork. Workable fixative dries to a matte finish.
Final Fixative Spray – Matte, 4.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before using matte fixative. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Final Fixative Spray – Matte, 4.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before using matte fixative. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Final Fixative Spray – Matte, 11.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before using matte fixative. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Final Fixative Spray – Matte, 11.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before using matte fixative. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Final Fixative Spray – Gloss, 4.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Final Fixative Spray – Gloss, 4.75 oz
Used to fix and protect dry media such as pastels, charcoal, and graphite. Always test on a scrap surface with a similar media application as your final work before use. Use in a well ventilated area with temps above 65 degrees Fahrenheit and relative humidity below 65%. Follow safety instructions on can. Fixatives may darken media depending on the media, the amount of media, and the substrate. Do not over-apply as it will cause a more dramatic color shift and may cause pastels to dissolve. Shake 1-2 minutes before use. Clear the nozzle by spraying a few blasts onto scrap paper, turn can upside down and spray until only gas comes out. Set work vertically and spray 12 inches from the artwork. Overlap spray about 1/2 inch on each pass with light coats. Turn artwork 90 degrees and wait 5-7 minutes between each coat. Allow to dry completely before touching.
Repositionable Adhesive Spray, 11 oz
Professional Spray Adhesive that can be used as a repositionable or permanent adhesive. Appropriate for porous and non-porous materials including paper, wood, metal and cloth. Permanent bond is created for porous materials by spraying surface and adhering porous material immediately before adhesive dries. Permanent bond is created for non-porous materials by spraying surface and letting adhesive dry for one minute before bonding. For all temporary bonds, spray surface and allow adhesive to dry for at least five minutes before making bond with porous and non-porous materials. Archival when used as directed. Use in a well ventillated area. Made in the USA.
Repositionable Adhesive Spray, 11 oz
Professional Spray Adhesive that can be used as a repositionable or permanent adhesive. Appropriate for porous and non-porous materials including paper, wood, metal and cloth. Permanent bond is created for porous materials by spraying surface and adhering porous material immediately before adhesive dries. Permanent bond is created for non-porous materials by spraying surface and letting adhesive dry for one minute before bonding. For all temporary bonds, spray surface and allow adhesive to dry for at least five minutes before making bond with porous and non-porous materials. Archival when used as directed. Use in a well ventillated area. Made in the USA.
Brush and Hand Cleaner, 2.5 oz
A liquid soap used for all painting media as a final step in cleaning hands, brushes and equipment. This liquid cleaner removes dried paint from brushes. Oil painting residue from painting equipment may be removed as well as long as appropriate solvents or oils are used to clean heavier remains of oil paints first. Soak brushes in cleaner, apply water, lather and rinse. Brush and Hand cleaner has a pleasant, light cherry scent. Made in the USA.
Brush and Hand Cleaner, 2.5 oz
A liquid soap used for all painting media as a final step in cleaning hands, brushes and equipment. This liquid cleaner removes dried paint from brushes. Oil painting residue from painting equipment may be removed as well as long as appropriate solvents or oils are used to clean heavier remains of oil paints first. Soak brushes in cleaner, apply water, lather and rinse. Brush and Hand cleaner has a pleasant, light cherry scent. Made in the USA.
