Brushes
Oil and Acrylic
Degas
Degas brushes are stiff enough to push heavy-body acrylics and oil, yet supple enough for the most delicate glazes. Made from seven different professional-grade mixed synthetic filaments, these brushes are both versatile and durable.
Academy Synthetic (Oil & Acrylic)
One of the best student grade brushes on the market today, this white taklon brush brings quality and value to emerging artists. Easy to clean, and less prone to breakage than natural hair brushes, this line offers the artist many of the sought after qualities of a sable brush such as spring and snap, but is far more durable and economical. Like our professional synthetics, several sizes of nylon filaments are used in the production of these brushes.
Academy Hog
Springy, tough and stiff, this line of student hog bristle is a workhorse in the classroom. Academy hog bristle brushes spread medium to thick paint smoothly and evenly, and are ideal for creating textural effects.
Goldenedge (Oil & Acrylic)
Characteristics of a traditional sable hair brush are preserved in this professional synthetic variant. Made with several sizes of toray filaments, these brushes hold a large capacity of paint, lay down color in fluid strokes and have unsurpassed spring. Goldenedge® brushes are less likely to shed or lose their handles after repeated use than many other artists brushes on the market. Exceptionally durable, they maintain a perfect shape and extremely fine point even with repeated use.
Bristlette
An intermediate studio brush, the Bristlette holds up well to the inherently caustic qualities of solvents and acrylic paint. Made with white taklon filaments, they are slightly firm, making them ideal for acrylic work. Even with the most vigorous painting methods, these brushes maintain their ability to hold a point and crisp edge. Bristlette brushes resist wear and tear far better than the more fragile sable brushes without sacrificing many of the favored characteristics of sable, such as texture and responsiveness. Bristlette brushes are excellent for massing color, and for detail work.
Black Diamond
A unique brush for oil color, the Black Diamond series feature an unbleached, undyed, natural black hog bristle which is slightly more flexible than a traditional Chungking hog bristle. These bristles are interlocked with natural flags for sharper edges and better color lay down. They also offer a non-slip, soft black handle for better brush control and reduced hand fatigue. A black nickel-plated brass ferrule utilizes a special gluing and crimping combination that virtually eliminates bristle shedding.
Gainsborough
Regarded as one of the best hog bristle brushes for generations, they are ideal for laying down thick paint where brush strokes are required. Their natural flags and interlocked construction preserve the natural curve of the bristle. Made with a seamless nickel-plated brass ferrule and superior quality Chungking hog bristle, these brushes are known for their quality and durability, and are considered a staple for professional oil painters.
Degas - Bright
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
Sizes
Degas - Fan
Fan: Brush fibers are spread out making it useful for subtle blending and for textural effects. A dry brush is often used to create hair, foliage on trees and shrubs, grass and in stiffer brushes is used for scrubbing out color. Fans can also be used to blend out strokes of other brushes.
Sizes
Degas - Filbert
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
Sizes
Degas - Flat
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
Sizes
Degas - Round
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
Sizes
Academy Synthetic (Oil & Acrylic) - Bright
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
Sizes
Academy Synthetic (Oil & Acrylic) - Fan
Fan: Brush fibers are spread out making it useful for subtle blending and for textural effects. A dry brush is often used to create hair, foliage on trees and shrubs, grass and in stiffer brushes is used for scrubbing out color. Fans can also be used to blend out strokes of other brushes.
Sizes
Academy Synthetic (Oil & Acrylic) - Filbert
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
Sizes
Academy Synthetic (Oil & Acrylic) - Flat
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
Sizes
Academy Synthetic (Oil & Acrylic) - Round
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
Sizes
Academy Hog - Bright
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
Sizes
Academy Hog - Fan
Fan: Brush fibers are spread out making it useful for subtle blending and for textural effects. A dry brush is often used to create hair, foliage on trees and shrubs, grass and in stiffer brushes is used for scrubbing out color. Fans can also be used to blend out strokes of other brushes.
Sizes
Academy Hog - Filbert
Filbert: Also called a cat?s tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the brushes stick together well when wet.
Sizes
Academy Hog - Flat
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
Sizes
Academy Hog - Round
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
Sizes
Goldenedge (Oil & Acrylic) - Bright
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
Sizes
Goldenedge (Oil & Acrylic) - Fan
Fan: Brush fibers are spread out making it useful for subtle blending and for textural effects. A dry brush is often used to create hair, foliage on trees and shrubs, grass and in stiffer brushes is used for scrubbing out color. Fans can also be used to blend out strokes of other brushes.
Sizes
Goldenedge (Oil & Acrylic) - Filbert
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
Sizes
Goldenedge (Oil & Acrylic) - Flat
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
Sizes
Goldenedge (Oil & Acrylic) - Round
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
Sizes
Bristlette - Bright
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
Sizes
Bristlette - Fan
Fan: Brush fibers are spread out making it useful for subtle blending and for textural effects. A dry brush is often used to create hair, foliage on trees and shrubs, grass and in stiffer brushes is used for scrubbing out color. Fans can also be used to blend out strokes of other brushes.
Sizes
Bristlette - Filbert
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
Sizes
Bristlette - Flat
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
Sizes
Bristlette - Round
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
Sizes
Black Diamond - Bright
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
Sizes
Black Diamond - Fan
Fan: Brush fibers are spread out making it useful for subtle blending and for textural effects. A dry brush is often used to create hair, foliage on trees and shrubs, grass and in stiffer brushes is used for scrubbing out color. Fans can also be used to blend out strokes of other brushes.
Sizes
Black Diamond - Filbert
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
Sizes
Black Diamond - Flat
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
Sizes
Black Diamond - Round
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
Sizes
Gainsborough - Bright
Bright: Length and width of brush is generally squared. Similar to flats, but shorter hairs make a stiffer brush. Good for laying down thicker paint and for short, controlled strokes. When worked with increased pressure, they can be used to remove paint. Bright brushes can create crisp, clean lines and can be used for blending.
Sizes
Gainsborough - Fan
Fan: Brush fibers are spread out making it useful for subtle blending and for textural effects. A dry brush is often used to create hair, foliage on trees and shrubs, grass and in stiffer brushes is used for scrubbing out color. Fans can also be used to blend out strokes of other brushes.
Sizes
Gainsborough - Filbert
Filbert: Also called a cat's tongue due to the flat, oval edge. Creates a softer edge than a flat or bright, and is used for blending particularly because the bristles stick together well when wet.
Sizes
Gainsborough - Flat
Flat: Longer hairs than a bright, this brush has more flex and a large color carrying capability. Often used on its edge to create crisp lines or on the broad side to cover large areas with paint quickly. Often used as a primary blending brush.
Sizes
Gainsborough - Round
Round: Shorter hair than a liner, rounds come in a wider variety of sizes from very fine to extra large. Smaller sizes are typically used for detail work and larger sizes tend to be used for washes and filling in color. A round brush stroke is tapered and can create lines that are fine to thick. The round has less versatility than the flatter brushes.
Sizes
